The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.
The film takes viewers on an enchanting journey through the life and legendary career of one of cinema's greatest composers. Directed by John Williams' longtime friend Laurent Bouzereau, it delves deeply into the music that has defined iconic film franchises like “Star Wars”, “Jurassic Park”, and “Harry Potter”. Featuring interviews with esteemed artists and filmmakers profoundly influenced by Williams' timeless compositions, the film explores his extraordinary ability to bring emotion, depth, and grandeur to the screen through his symphonic genius. Archival footage and behind-the-scenes moments illustrate how his unforgettable scores became integral to the movies, revealing just how vital his contributions have been to modern cinema. This intimate tribute captures Williams’ journey from jazz pianist to cultural icon, showcasing the groundbreaking impact of his classical compositions in Hollywood and beyond. From his collaborative masterpieces with Steven Spielberg and George Lucas to his unique approach of composing by hand, "Music By John Williams" highlights the relentless passion and meticulous craft that have defined his career. Personal stories from colleagues, friends, and family, along with moments of Williams conducting before adoring fans, paint a vivid portrait of a man who has shaped our cinematic experiences for over half a century. For anyone captivated by the power of music in film, this documentary is an inspiring and nostalgic celebration of an unparalleled legacy.
When Norwegian gamer Mats Steen died at age 25, his parents mourned what they thought was an isolated life. It was only once they had access to his blog that they discovered the deep friendships he created virtually before passing away from a degenerative muscular disease. They were unaware that Mats had long been leading a vibrant digital life that had left a profound impact on a community of fellow gamers. The film takes us on a journey through the breadth of Mats Steen's adventurous online life, introducing us to Ibelin, his charismatic World of Warcraft persona. Through reconstructed animated moments from Mats' gameplay, narrated entries from his blog and interviews with people who knew him as Ibelin, a picture of a remarkable young man emerges, one that underscores how community and soulful relationships can transcend the boundaries of the physical world.
Friendship, love, peace and freedom-these ideals drew young hearts from around the globe to Nova's EDM music festival in the South of Israel. But as the sun rose on October 7th, the fantasy shattered. Rockets sliced through the sky, and the dancing stopped. Confusion morphed into fear as gunfire erupted amidst the chaos. Terror breached the border fence and unleashed violence on the unsuspecting people in its rawest form. The film is a stark portrayal of the experiences of those who survived and those who didn't. The film meticulously reconstructs the events, capturing the raw emotions and heroism that emerged.
In 1982, the best of friends and still teenagers George Michael and Andrew Ridgeley as Wham! set out to conquer the world. By June of 1986, they played their very last gig at Wembley Stadium having done exactly that. Now, for the very first time, told in their own words, comes the amazing story of how in four years they dominated the charts around the world with timeless and classic pop songs. Hit after hit ‘Club Tropicana,’ ‘Wake Me Up Before You Go Go,’ ‘Freedom,’ ‘I'm Your Man’ and of course ‘Last Christmas.’ Their time in the spotlight was white-hot, and they became the very first Western pop act to play in China. It was a time that both encapsulated and epitomized not just their youth but also that of the many millions of fans that adored them.
In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents' homeland, Hong Kong. Over the next two years, he'd complete four iconic films that would define his legacy, a legacy cut short when he died, stunningly, in the summer of 1973. He was 32 years old. Directed by Bao Nguyen, 'Be Water' is a gripping, fascinating, intimate look at not just those final, defining years of Lee's life, but the complex, often difficult, and seismic journey that led to Lee's ultimate emergence as a singular icon in the histories of film, martial arts, and even the connection between the eastern and western worlds. The film chronicles Lee's earliest days, as the son of a Chinese opera star born while his father was on tour in San Francisco, and then raised in Hong Kong over what became an at times troubled childhood. Sent to live in America at the age of 18, he began teaching Kung Fu in Seattle, and established a following that included his future wife, Linda. His ambition ever rising, Lee eventually made his way to Los Angeles, where he strove to break into American film and television. There, despite some success as a fight choreographer and actor, it was clear Hollywood wasn't ready for an Asian leading man - and so he returned to Hong Kong to make the films that would in fact make him a legend, his international star skyrocketing just as his life was cut short. 'Be Water' is told by the family, friends, and collaborators who knew Bruce Lee best, with an extraordinary trove of archive film providing an evocative, immersive visual tapestry that captures Lee's charisma, his passion, his philosophy, and the eternal beauty and wonder of his art.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.