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Putin and Company

   2018    History
Although the end of the Soviet Union also meant the end of the KGB, it did not mean the end of secret service activities. FSB and the foreign intelligence service SVR took over the tasks. Under the secret service officer Vladimir Putin, the tasks of the secret service were redefined, and digital age with the Internet brought new possibilities for internal and external espionage and for the manipulation of public opinion.
Coup d'etats, assassinations, sex scandals, radioactive poisoning....it's the stuff of a Bond movie. But in today's Russia, it's all very real. Under Vladimir Putin, the FSB rules Russia with an iron rod directly from the Kremlin. To challenge its authority, even from apparent safety abroad, means risking your life. The KGB has even managed to outlive communism itself. Today, Russia is no longer a State with a Security Service: instead, the Security Service has a State.
Series: KGB: The Sword and the Shield

Russia Imperialist Warriors

   2015    Culture
Tim Whewell is in St Petersburg to meet the self-styled Russian nationalists and patriots who are volunteering to join the fighting in eastern Ukraine. He joins a group of volunteers as they undertake military training, and travels to Ukraine to see how the volunteer force is fighting on the ground.

Cold War 2.0

   2015    Culture
For 45 years, America was locked in the Cold War with the Soviet Union, and fear of global nuclear annihilation was constant. The end of the Cold War in 1991 was supposed to usher in a new era of peace and cooperation, but it didn’t last. Tensions between the U.S. and Russia have been simmering for years. And now, the conflict in Ukraine has pushed the relationship to the brink of full-blown crisis. VICE Founder Shane Smith met Kremlin officials and American leaders to figure out what’s really driving the new standoff between the powers, while correspondent Simon Ostrovsky reported from the front lines of the bloody war in Eastern Ukraine.

Workingman Death

   2005    Culture
Austrian director Michael Glawogger travels to five countries to focus on some of the worst jobs imaginable: Ukrainian miners crawl into tiny cracks in old coal pits to scratch out a few bags of winter fuel; Indonesian workers trudge long distances carrying baskets with hundreds of pounds of sulfur chunks extracted from a steaming mountain; Pakistanis risk explosions and burial under tons of scrap iron as they dismantle huge carrier ships. The visuals are everything here. Despite the hardships depicted, many sequences have a dreamlike beauty. In addition, the director has a bone-dry sense of irony; during the Ukraine scenes, he frequently cuts away to a statue of Stakhanov, the "hero" lauded by the Soviets for his superhuman work habits. He also shows us an old German smelting works that's been converted into a theme park.