The series concludes by delving into the world of satirical maps. How did maps take on a new form, not as geographical tools, but as devices for humour, satire or storytelling? Graphic Artist Fred Rose perfectly captured the public mood in 1880 with his General Election maps featuring Gladstone and Disraeli, using the maps to comment upon crucial election issues still familiar to us today. Technology was on the satirist's side with the advent of high-speed printing allowing for larger runs at lower cost. In 1877, when Rose produced his 'Serio Comic Map of Europe at War', maps began to take on a new direction and form, reflecting a changing world. Rose's map exploited these possibilities to the full using a combination of creatures and human figures to represent each European nation. The personification of Russia as a grotesque-looking octopus, extending its tentacles around the surrounding nations, perfectly symbolised the threat the country posed to its neighbours.

Eisenhower and the CIA played a great part in the shaping of the world in the 1950's; the development of the Cold war and the nerve-wrecking battle against communism, driven on by the U.S.

JFK and the Bay of Pigs; on the brink of total war during Cuban Missile Crisis; early Vietnam; JFK's attempts at peace with Khrushchev; JFK assassinated.

Stone opens the episode on Vietnam with a review of American intervention in Latin America. Lyndon Johnson, according to Stone, disregarded JFK’s “memo” about withdrawing troops and instead escalated. The Cataclysm in Vietnam as the war reaches a turning point - there's no going back. The betrayal by Richard Nixon.

Carter's dreams of change give way to Ronald Reagan. Gorbachev redeems Reagan and fresh opportunities for peace arise. The debate over Reagan's legacy.

George W. Bush's doctrine of endless war in Iraq and Afghanistan and the continued cannibalization of the U.S. economy. Squandered chances given by the end of the Cold War. A new USA, the National Security Fortress.