As Michelle's loved ones cope with her sudden death, her work to unmask the Golden State Killer lives on. After inheriting Michelle's 37 boxes of case files, Paul Haynes and Billy Jensen work alongside Patton Oswalt, to finish her book.

The Earth was formed by a series of cosmic cataclysms including the most powerful blast in the Universe. Yet amid the turmoil our world was born. Could the same chain of events have created other earths elsewhere, inhabited by creatures like us?

Orbits are the dynamics that drive the universe. From the smallest asteroid to the largest super-cluster, everything in the universe is in orbit. We owe our very existence to the stability of earth's orbit — it gave us life and keeps us safe. But we are the freaks. Everywhere else we look we find orbits are chaotic, unstable, and violent. Beyond our solar system we find planets that are blow-torched, stars that eat each other, and black holes that destroy everything in their path. Yet on the very largest scale, orbits are also a creative force. clashing galaxies give birth to new stars and new worlds. on the galactic scale orbits even construct the fabric of the universe itself.

The band heads to Nashville, Tenn. Dave sits down with Dolly Parton, Tony Joe White, Steve Earle, Willie Nelson, Emmylou Harris and producer Tony Brown to discuss Nashville's musical influences and the Nashville sound. Foo Fighters prepare to record at Southern Ground studio, owned by country musician Zac Brown, who also guests on the song 'Congregation'.

There is a tendency to deny German culture the equal reverence of Italy or Spain, and this enlightening new series provides a wonderful opportunity to explore a great, yet often neglected, artistic tradition whose influence has been just as profound. Andrew Graham-Dixon concludes his exploration of German art by investigating the dark and difficult times of the 20th century. Dominating the landscape is the figure of Adolf Hitler, failed artist, would-be architect and obsessed with the aesthetics of his 1,000-year Reich". In a series of extraordinary building projects and exhibitions, Hitler waged a propaganda war against every form of modern art as a prelude to unleashing total war on the whole of Europe. After the war the shadow of the Third Reich persisted, Germany remained divided and traumatised. How would artists deal with a past that everybody wanted to forget? Journeying through the work of Otto Dix and George Grosz and the age of the Bauhaus to the post-war painters Georg Baselitz, Hilla Becher and the conceptual artist Joseph Beuys is a long and strange journey, but the signs that art has a place at the heart of the new reunited Germany are clearly visible.

Andrew Graham-Dixon retraces Vasari's footsteps for this captivating two-part film in a short Art of Italy season. He's an enthusiastic guide, lapsing easily into Italian conversation with the custodians of galleries and chapels who allow him a private view. From Brunelleschi's Duomo in Florence to less familiar marvels - a Donatello sculpture; Masaccio frescoes - he illustrates how rapidly ideas developed. A final treat for him - and us - is a tour of the Vasari Corridor, a rarely accessed gallery that zigzags across the Florentine rooftops.