The second part of this series begins with his return home after his discharge from the army, and how he dealt with a rapidly changing pop scene. The picture is more complicated than even a fairly serious Elvis fan may understand. Priscilla Presley, who made some appearances in the first part, offers much more here, helping us understand how being forced into making a string of lousy movies was one kind of artistic prison, and then being ensconced in casino hotels for his famous Las Vegas residency was another. The man who had so carefully created his original persona was now stuck in the shallow roles others forced him to play.
Mark has never had a girlfriend, but he wants love more than anything. Maddi and Mark are going on their second date at the Australian Museum. Olivia has had 'a bazillion' unrequited loves but is not ready to give up. Maddi dates a new man who impresses her with his musical talent.
Episode 4 rounds everything out while simultaneously focusing on his career and the next steps. After a performance tribute to Jamal, Ed and Cherry get good news and reflect on a turbulent year.
How do the five senses really work? In fact, there are many more than five, and they all work together to create our own version of reality. We dive into the stories of a pairs figure skating team, a perfumer, a cave explorer, and a musician to decipher how different ways of sensing the world all create their own vivid, and unique, picture. This episode explores the world of human sensation and how it defines reality.
The war on drugs was upon them, and despite believing that they were untouchable, the authorities close in. The 'Cowboys' are left with three options: flee, flip or face the music. Falcon and Magluta, along with their associates, were ultimately arrested and tried for their crimes. But they won't go down so easily.
Ed performs with childhood hero Eminem and shares his new music publicly for the first time. The third episode switches gears and looks more at Ed’s high points in his career
The picture is more complicated than even a fairly serious Elvis fan may understand. Priscilla Presley, who made some appearances in the first part, offers much more here, helping us understand how being forced into making a string of lousy movies was one kind of artistic prison, and then being ensconced in casino hotels for his famous Las Vegas residency was another. The man who had so carefully created his original persona was now stuck in the shallow roles others forced him to play.