Thought-provoking documentary on war propaganda: how governments manipulate the facts and how most media let them get away with it. WWI, Vietnam War, post-2001 Afghanistan, post-2003 Iraq, Palestine: a historical account of PR, embedded journalism, lies and cover-ups, but also of courageous journalists who disclose the truth.

The car has shrunk the world, increased personal freedom and in so many ways expanded our horizons, but there is a flipside. Fumes from car exhausts have helped to destroy our environment, poisoned the air we breathe and killed us in far more straightforward ways. But all that is going to change. Enter a world where cars can drive themselves, a world where we are simply passengers, ferried about by wholesome green compassionate technology which will never ever go wrong. And it is almost here. Explore the artificial intelligence required to replace human drivers for cars themselves, peers into the future driverless world and discovers that, despite the glossy driverless PR (and assuming that they really can be made to work reliably), the reality is that it might not be all good news. From the ethics of driverless car crashes to the impact on jobs, it might be that cars are about to rise up against us in ways that none of us are expecting.

For the first time, you will see dramatic moments of WWII that were captured in 3D with stereographs and then shuttered away in secret archives and attics, until now. This stunning collection of colour 3D photos includes Allied reconnaissance photos, a trove of images that documents the rise and fall of the Third Reich, and photos secretly taken by a civilian in occupied France. WWII IN 3D also features an actual 3D motion picture film shot by the Nazis in 1943 and creates a fully immersive, three dimensional portrait of history's largest and bloodiest conflict.

A featured documentary that explores the rise of a new Internet. Decentralized, encrypted, dangerous and beyond the law. The Deep Web, also called the Deep Net, Invisible Web, or Hidden Web is the part of the World Wide Web not indexed by search engines. The deep web was several orders of magnitude larger than the surface web. The majority of the information is hidden or locked inside databases and is growing exponentially at a rate that cannot be quantified. In 2008, to facilitate users of Tor hidden services in their access and search of a hidden .onion suffix, Aaron Swartz designed Tor2web, a proxy application able to provide access by means of common web browsers. Using this application, deep web links appear as a random string of letters followed by the .onion TLD.

In this series Professor Iain Stewart tells a stunning new story about our planet. He reveals how the greatest changes to the Earth have been driven, above all, by plants. In this first episode Iain journeys from the spectacular caves of Vietnam to the remote deserts of Africa. He sees how plants first harnessed light from the sun and created our life-giving atmosphere. He uncovers the epic battle between the dinosaurs and the tallest trees on the planet. And, using remarkable imagery, he shows plants breathing - and for the first time talking to each other.

It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker.