Adam Rutherford meets a new creature created by American scientists, the spider-goat. It is part goat, part spider, and its milk can be used to create artificial spider's web. It is part of a new field of research, synthetic biology, with a radical aim: to break down nature into spare parts so that we can rebuild it however we please. This technology is already being used to make bio-diesel to power cars. Other researchers are looking at how we might, one day, control human emotions by sending 'biological machines' into our brains.

The documentary 'The Knowledge of Healing' is an illuminating examination of Tibetan medicine, a practice which has developed over two millennia into a modern day successful method of healing that rivals western medical practices. Unlike Western medicine, based on biochemistry, Tibetan medical thinking (which is strongly rooted in Buddhist principles) views the human body as governed by an elaborately organized system of energies flowing through a network of channels. In the 12th century, the Gyüshi (Knowledge of Healing) was created, a text codifying this intricate system. The medications used comprise herbs, roots, minerals, etc. After flourishing for centuries, most Tibetan medical schools were destroyed by the Chinese in the 1950's and 1960's, and many physicians were executed. Speaking from exile, the Dalai Lama argues for the value of Tibetan medicine, while his personal physician Dr. Tenzin Choedrak describes the principles behind it. We follow physicians in India and Siberia treating patients for a variety of ailments from paralysis to heart disease, and meet researchers in Israel and Switzerland to see how western clinical studies are testing the effectiveness of Tibetan medicine.

More than a decade ago, scientists announced that they had produced the first draft of the human genome, the 3.6 billion letters of our genetic code. It was seen as one of the greatest scientific achievements of our age, a breakthrough that would usher in a new age of medicine. Find out how close we are to developing the life-changing treatments that were hoped for". Follow three people, each with a genetic disease, as they go behind the scenes at some of Britain's leading research labs to find out what the sequencing of the human genome has done for them - and the hope this remarkable project offers all of us.

Go with us behind the scenes at CERN to follow one of the most epic and expensive scientific quests of all time: the search for the Higgs particle, believed to give mass to everything in our universe. However, the hunt for Higgs is part of a much grander search for how the universe works. It promises to help answer questions like why we exist and is a vital part of a Grand Unified Theory of nature". At the heart of the pursuit of the elusive particle is the same feature that makes snowflakes beautiful and human faces attractive: the simple and enchanting idea of symmetry. Presenter Jim Al-Khalil

The documentary is about the effect of fossil fuels on issues such as global warming, the environmental crisis, society and the questionable practices of oil companies. It examines the interconnection of human domination of the planet and the use of petroleum, and offers solutions for how we can stop our progression down this destructive path. Written and directed by James Jandak Wood. The film has several awards and nominations

This documentary looks at the remarkable genius of Orson Welles on his centenary - the enigma of his career as a Hollywood star, a Hollywood director (for some a Hollywood failure), and a crucially important independent filmmaker. Orson Welles's life was magical: a musical prodigy at age 10, a director of Shakespeare at 14, a painter at 16, a star of stage and radio at 20, romances with some of the most beautiful women in the world, including Rita Hayworth. His work was similarly extraordinary, most notably Citizen Kane, (considered by many to be the most important movie ever made), created by Welles when he was only 25. In the years following Citizen Kane, Welles's career continued to change as he made film after film (some never finished, many dismissed) and acted in other projects often to earn money in order to keep making his own films. Magician features scenes from almost every existing Welles film, from Hearts of Age, (which he made in a day when he was only 18 years old) to rarely-seen clips from his final unfinished works like The Other Side of the Dream, The Deep, and Don Quixote, as well as his television and commercial work.