We are living in a new golden age of exploration. Planet hunters are searching far beyond our solar system and they are actually finding new worlds orbiting other suns. Thousands of these alien worlds have already been found, but this is the story of perhaps the greatest discovery yet, a star 40 light-years away with seven Earth-sized planets: Trappist-1.
This new discovery of seven alien Earth-like planets in a faraway solar system is a major milestone in our hunt for extraterrestrial life, and experts investigate the secrets of Trappist -1's mysterious worlds to reveal if we're truly alone in the universe.

Shocking new evidence has convinced some of the world's greatest physicists that the universe is a hologram. Using cutting-edge technology, they investigate the secrets of black holes and space-time to build the case for this game-changing discovery.
The holographic principle is a supposed property of quantum gravity that states that the description of a volume of space can be thought of as encoded on a lower-dimensional boundary to the region like a gravitational horizon. First proposed by Gerard 't Hooft, it was given a precise string-theory interpretation by Leonard Susskind.
The holographic principle was inspired by black hole thermodynamics, which conjectures that the maximal entropy in any region scales with the radius squared, and not cubed as might be expected. In the case of a black hole, the insight was that the informational content of all the objects that have fallen into the hole might be entirely contained in surface fluctuations of the event horizon.

Professor Brian Cox journeys across the vastness of time and space revealing epic moments of sheer drama that changed the universe forever.
The series begins this epic exploration of the cosmos with a hymn to the great luminous bodies that bring light and warmth to the universe: the stars. It is estimated that there are two hundred trillion stars in the universe, each playing their part in an epic story of creation- a great saga that stretches from the dawn of time, with the arrival of the first star, through diverse generations until the arrival of our own star, the sun, and a civilization that has grown up in its light.

Plants' solutions to life's challenges are as ingenious and manipulative as any animal's. Innovative time-lapse photography opens up a parallel world where plants act like fly-paper, or spring-loaded traps, to catch insects. Vines develop suckers and claws to haul themselves into the rainforest canopy. Every peculiar shape proves to have a clever purpose. The dragon's blood tree is like an upturned umbrella to capture mist and shade its roots. The seed of a Bornean tree has wings so aerodynamic they inspired the design of early gliders. The barrel-shaped desert rose is full of water. The heliconia plant even enslaves a humming bird and turns it into an addict for its nectar.

Painting became an important means of communication for David since his face was slashed during a sword fight and his speech became impeded by a benign tumour that developed from the wound, leading him to stammer. He was interested in painting in a new classical style that departed from the frivolity of the Rococo period and reflected the moral and austere climate before the French Revolution. David became closely aligned with the republican government and his work was increasingly used as propaganda with the Death of Marat proving his most controversial work.

SETTING: 70 million years ago in Europe, near present-day Romania. Pod, a male pyroraptor, is alone in the world after his sisters die in a tidal wave that sweeps him out to sea. After landing on an island populated with dwarf-sized dinosaurs, Pod discovers that he's become the apex predator. But, Pod learns it's lonely at the top.