Salvador Dali's strange crucifixion is often called the greatest religious painting of the 20th century. Yet its artist was a notorious blasphemer some of whose work had outraged the Catholic Church. The Christ of St John of the Cross by Salvador Dali is the first of two extraordinary crucifixions painted by Dali in the early 1950s. The painting is based on a 'cosmic dream' Dali is said to have had, in which the nucleus of the atom was a figure of Christ himself.
The painting offers a surrealist view of the crucifixion of Christ, and is based on a drawing by the 16th century Spanish friar Saint John of the Cross. But Dali's vision was somewhat unique, using an unusual artistic perspective in which Christ is seen from above. His Christ of St. John of The Cross was inspired by a weird mix of Spanish mysticism and nuclear physics, with his Christ being modelled by a Hollywood stuntman. It's also a masterpiece of painting technique.

'It's alive!' Since Dr. Frankenstein spoke those famous words, we've been alternately enthralled and terrified by the idea of creating life in the lab. Now, a revolution in genetic engineering and thrilling innovations in synthetic biology are bringing that dream—or nightmare, as the case may be—closer to reality. New tools allow researchers to use cells to create their own DNA and edit it into existing genomes with more ease and less cost than ever before.
Along with renewed hopes for treating some genetic diseases, there's serious talk of using the newest technologies to bring long-extinct animals back from the dead – like the team hoping to resurrect the woolly mammoth. Science fiction is quickly becoming science fact. Another daring genetic experiment to bioengineer animals could prevent Lyme disease. But the power to make life comes with deep ethical questions. What are the potential rewards—and dangers—of tinkering with nature? This films explores the benefits and the burden of risk surrounding the controversial new technology.

Every year, around the world, seasonal changes transform entire landscapes and draw in millions of creatures as these great events unfold. This fantastic series combines the epic scale of Planet Earth and the intimate, emotional stories of charismatic animals as they struggle to survive. Using state of the art technology, these programmes capture the Earth's most dramatic and epic wildlife spectacles and the intimate stories of the animals caught up in them.
The Great Melt: The summer melt of Arctic ice, opening up nearly three million square miles of ocean and land, provides opportunities for millions of animals, including beluga whales, families of Arctic foxes, vast colonies of seabirds, and the fabled Arctic unicorn, the narwhal. For polar bears, however, it is the toughest time of year. Why? How will they survive? A mother polar bear and her cub make their first journey together onto the sea ice. They are looking for ringed seals, their favourite prey. It is a serious business but the cub just wants to play. The melting ice makes it harder for them to hunt and threatens their survival. In a unique aerial sequence, the migration of narwhal with their distinctive unicorn-like tusks is filmed for the first time. The whales' journey is risky as they travel along giant cracks in the ice. If the ice were to close above them, they would drown. Hundreds of beluga whales gather in the river shallows. They rub themselves on smooth pebbles in one of the most bizarre summer spectacles. Guillemot chicks take their first flights from precipitous sea cliff nests to the sea 300 metres below. They attempt to glide to safety but many miss their target. Their loss is a bonus for the hungry Arctic fox family waiting below. As the melt comes to an end the bears gather, waiting for the sea to freeze again. Two 400kg males square up to each other to spar.

This award-winning series, Private Life of a Masterpiece, reveals the full and fascinating stories behind famous works of art, not just how they came to be created, but also how they influenced others and came to have a life of their own in the modern world. The works of art featured here are both instantly familiar and profoundly mysterious. Revolutionary in their conception, and iconic years after their execution, they each have their own compelling stories. For behind the beautiful canvases and sculptures are tales of political revolution, wartime escapes, massive ego clashes, social scandal, financial wrangling and shocking violence. In this fascinating series key works of art are investigated and the intricate details of their lives revealed - the history, contemporary reactions, and legacies of each are illustrated.
A Sunday Afternoon on the Island of La Grande Jatte is a popular masterpiece and yet an enduring enigma. It seems to show a quiet scene in a Paris park but there are hints at the demi-monde, if you know where to look. The most remarkable aspect of this vast canvas however remains Seurat's technique his revolutionary pointillism.

Mathematician Dr Hannah Fry explores the mystery of maths. It underpins so much of our modern world that it's hard to imagine life without its technological advances, but where exactly does maths come from? Is it invented like a language or is it something discovered and part of the fabric of the universe? It's a question that some of the most eminent mathematical minds have been wrestling with. To investigate this question, Hannah goes head first down the fastest zip wire in the world to learn more about Newton's law of gravity, she paraglides to understand where the theory of maths and its practice application collide, and she travels to infinity and beyond to discover that some infinities are bigger than others.
In this episode, Hannah goes back to the time of the ancient Greeks to find out why they were so fascinated by the connection between beautiful music and maths. The patterns our ancestors found in music are all around us, from the way a sunflower stores its seeds to the number of petals in a flower. Even the shapes of some of the smallest structures in nature, such as viruses, seem to follow the rules of maths. All strong evidence for maths being discovered. But there are those who claim maths is all in our heads and something we invented. To find out if this is true, Hannah has her brain scanned. It turns out there is a place in all our brains where we do maths, but that doesn't prove its invented.
Experiments with infants, who have never had a maths lesson in their lives, suggests we all come hardwired to do maths. Far from being a creation of the human mind, this is evidence for maths being something we discover. Then along comes the invention of zero to help make counting more convenient and the creation of imaginary numbers, and the balance is tilted in the direction of maths being something we invented. The question of whether maths is invented or discovered just got a whole lot more difficult to answer

The next great voyage of human exploration has already begun: the search for life on planets orbiting distant stars. With extraordinary CGI, the world's most inspiring scientists, via extreme environments on Earth and around the solar system, the film takes viewers aboard the next generation of space ships, across the cosmos and beneath the clouds of the exo-planets to discover The Living Universe.
Part 1: 'The Planet Hunters' For as long as we’ve had eyes to see and minds to wonder we’ve marveled at the stars. Since the discovery of the first so-called exoplanet in 1994, the Planet Hunters have transformed the way we see the universe. It is the year 2157, and spacecraft Artemis enters the final phase of construction.