Shocking new evidence has convinced some of the world's greatest physicists that the universe is a hologram. Using cutting-edge technology, they investigate the secrets of black holes and space-time to build the case for this game-changing discovery.
The holographic principle is a supposed property of quantum gravity that states that the description of a volume of space can be thought of as encoded on a lower-dimensional boundary to the region like a gravitational horizon. First proposed by Gerard 't Hooft, it was given a precise string-theory interpretation by Leonard Susskind.
The holographic principle was inspired by black hole thermodynamics, which conjectures that the maximal entropy in any region scales with the radius squared, and not cubed as might be expected. In the case of a black hole, the insight was that the informational content of all the objects that have fallen into the hole might be entirely contained in surface fluctuations of the event horizon.

Low Earth Orbit, 120 miles above sea level, is where the majority of space exploration has occurred. This 1,100 mile band around Earth is where--for a cool $20 million--any private citizen can take the vacation of his or her life on the International Space Station. Commercial prospects for LEO are huge; but dangers lurk for any individual willing to travel here--radiation, cosmic rays, and space debris numbering in the thousands threaten any spacecraft travelling in orbit. It's the new frontier, or the final frontier...and the possibilities are endless if you are willing to travel to the edge of space exploration.

This episode discusses the human exploration of Antarctica, in particular the mission led by Captain Robert Falcon Scott, whose team died on the way back from the South Pole. It shows the scientific work in the modern human bases in Antarctica, especially Mawson Base and its observation of Adelie Penguins (partially through tracking devices). The second half of the episode describes how the series was made. Most crucial was of course the camera work. To get access to the wildlife of the sea, for example, boats, divers, suspended capsules and remotely controlled cameras mounted on inflatables were used. Particularly dangerous to divers were Leopard Seals and other predators. The film concludes that although working in Antarctica is now much easier than during the early days of exploration, human footsteps on the continent are still exceedingly rare in part because of international treaties prohibiting industrial exploitation.

The story of how the secret of life has been examined through the prism of the most complex organism known - the human body. It begins with attempts to save the lives of gladiators in Ancient Rome, unfolds with the macabre work and near-perfect drawings of Leonardo in the Renaissance, through the idea of the 'life force' of electricity, to the microscopic world of the cell. It reveals how a moral crisis unleashed by work on the nuclear bomb helped trigger a great breakthrough in biology - understanding the structure and workings of DNA.

Muhammad Ali was arguably the greatest boxer of the 20th century, and that rare fighter whose presence in the culture of the day was equal to (or perhaps even greater than) his remarkable skills in the ring. Ali was a superb fighter who squared off against a variety of gifted athletes during his career, and filmmaker Pete McCormack offers a new perspective on Ali through this documentary, in which some of his opponents speak about their experiences with the man. Facing Ali includes interviews with Joe Frazier, who speaks of the bitterness that still remains of his rivalry with Ali; George Chuvalo, a Canadian fighter who recalls that while Ali defeated him, he went dancing with his wife afterward while the winner went to the hospital; George Foreman, whose memories include a powerful punch that Ali chose not to land; Leon Spinks, whose 1978 upset victory over Ali thrust him into a level of fame he was not prepared to handle; Ernie Terrell, who discusses the technique and strategy behind Ali's approach; and many more.

Arguably the most powerful painting about war ever achieved. It portrays the slaughter of civilians after Napoleonic troops entered Madrid in 1808. The programme reveals the historical truths behind the painting and shows exactly how Goya achieved this masterpiece of protest. he painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era.
According to the art historian Kenneth Clark, The Third of May 1808 is 'the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention'. Discover how Goya used drawings by authentic witnesses to depict a real firing squad.