The films begins at the Maine Correctional Center where Jacinta, 26, and her mother Rosemary, 46, are incarcerated together, both recovering from drug addiction. As a child, Jacinta became entangled in her mother's world of drugs and crime and has followed her in and out of the system since she was a teenager. This time, as Jacinta is released from prison, she hopes to maintain her sobriety and reconnect with her own daughter, Caylynn, 10. Despite her desire to rebuild her life for her daughter, Jacinta continually struggles against the forces that first led to her addiction. With unparalleled access and a gripping vérité approach, director Jessica Earnshaw paints a deeply intimate portrait of mothers and daughters and the effects of trauma over generations.
We love nature and all its glorious diversity. Some creatures we admire for their deadly beauty, others because they are cute, but for some it's hard to figure out exactly why we like them so much, perhaps it's a quirk. How do you decide nature's weirdest animal? Is it the sloth that hangs upside down and moves so slowly that moss grows in its fur? Is it a sea pen that sits rooted to the seabed in endless darkness and emitting its own glow? Could it be carnivorous snails that leave the ocean to digest dead creatures on the beach, finches that drink blood, or the tarantula that keeps a frog as it's pet. But with nature's endless variety, which is the weirdest? We can't decide. Can you?
Regarded as one of the greatest singers in the history of rock music, Freddie Mercury was known for his flamboyant stage persona and four-octave vocal range. Mercury defied the conventions of a rock frontman, with his highly theatrical style influencing the artistic direction of Queen. This film tells the amazing story of Freddie’s life and career, from the early days of the band, their show-stopping performance at Live Aid and their dominance of music charts, to his final appearance on stage.
For the first time after seventeen years and their last appearance on the final episode of the TV series in 2004, Jennifer Aniston; Courteney Cox; Lisa Kudrow; Matt LeBlanc; Matthew Perry, and David Schwimmer, find themselves under the same roof for a reunion special. Hosted by James Corden, and produced by the show's co-creators, Marta Kauffman, David Crane, and Kevin Bright, the show's main cast feels at home in the original sets of Friends (1994), taking a trip down memory lane while sitting on Central Perk's couch. Brimming with emotion, laughter, and tears of joy, 'Friends: The Reunion' sheds light on ambivalent endings, the casting process, and many more, as the main cast re-enacts older Friends episodes and meets with a plethora of celebrity guests, including Maggie Wheeler, the show's Janice Litman-Goralnik; Justin Bieber; Cindy Crawford; Cara Delevingne; Lady Gaga; David Beckham; Tom Selleck, and Nobel Peace Prize laureate, Malala Yousafzai.
(Click CC for Subtitles) Deep in the forests of Northern Italy resides the prized white Alba truffle. Desired by the wealthiest patrons in the world, it remains a pungent but rarified mystery. It cannot be cultivated or found: the only souls on Earth who know how to dig it up are a tiny circle of canines and their silver-haired human companions-Italian elders with walking sticks and devilish senses of humor-who only scour for the truffle at night so as not to leave any clues for others. Still, this small enclave of hunters induces a feverish buying market that spans the globe. With unprecedented access to the elusive truffle hunters, filmmakers Michael Dweck and Gregory Kershaw follow this maddening cycle from the forest floor to the pristine restaurant plate. With a wily and absurdist flare, The Truffle Hunters captures a precarious ritual constantly threatened by greed and outside influences but still somehow protected by those clever, tight-lipped few who know how to unearth the magic within nature.
A portrait of Dr. Anthony Fauci, the public servant, scientist, physician, husband and father whose career spans seven presidents and is bookended by two pandemics: HIV/AIDS, which shaped him, and of course, COVID-19; the latter bringing him countless TV appearances in American homes on an almost daily basis over the course of nearly two years.
With unparalleled access and a gripping vérité approach, director Jessica Earnshaw paints a deeply intimate portrait of mothers and daughters and the effects of trauma over generations.