In this second episode we travel from January to the March equinox. Kate Humble gets closer to the Sun than she has ever been before, whilst Helen Czerski visits a place that gets some of the biggest and fastest snowstorms on Earth.

In this episode, Helen seeks out the colours that turned planet Earth multicoloured. To investigate the essence of sunlight Helen travels to California to visit the largest solar telescope in the world. She discovers how the most vivid blue is formed from sulfur atoms deep within the Earth's crust and why the presence of red ochre is a key sign of life. In gold, she discovers why this most precious of metals shouldn't even exist on the surface of the planet and in white, Helen travels to one of the hottest places on Earth to explore the role salt and water played in shaping planet Earth.

David Attenborough discovers the plants that have evolved to shed their dependency on water enabling them to survive in the driest environments. The story begins at midnight in midsummer as David steps into the Princess of Wales Conservatory to witness the extraordinary nocturnal blooming of a cactus. The queen of the night, with its giant flowers, is the centre piece of a stunning symphony of cacti blooms that burst open in the desert (and at Kew) at night. In a mesmerizing 3D slow motion sequence, we discover the extraordinary connections between cacti and their natural pollinators: bats. As the sun rises, David meets other amazing plants. Species like the century plant, the Agave franzosini, which grows steadily for over 50 years, only to then flower itself to death with one mighty telegraph pole sized bloom which literally bursts out of the roof of Kew’s green house.

Mysterious lights shine out from the edge of space, brighter than a trillion suns. They had to be the brightest objects we've ever seen in the universe, putting out amounts of energy that we couldn't possibly explain. So powerful, they can incinerate planets and rip stars to pieces. These are among the most mysterious and most energetic phenomenon in the universe. They can destroy galaxies, but may also be the key to their survival. These objects are a hotbed of all kinds of crazy physics. These celestial powerhouses are called quasars, and we may owe them our very existence.

This award-winning series, Private Life of a Masterpiece, reveals the full and fascinating stories behind famous works of art, not just how they came to be created, but also how they influenced others and came to have a life of their own in the modern world. The works of art featured here are both instantly familiar and profoundly mysterious. Revolutionary in their conception, and iconic years after their execution, they each have their own compelling stories. For behind the beautiful canvases and sculptures are tales of political revolution, wartime escapes, massive ego clashes, social scandal, financial wrangling and shocking violence. In this fascinating series key works of art are investigated and the intricate details of their lives revealed - the history, contemporary reactions, and legacies of each are illustrated.
A Sunday Afternoon on the Island of La Grande Jatte is a popular masterpiece and yet an enduring enigma. It seems to show a quiet scene in a Paris park but there are hints at the demi-monde, if you know where to look. The most remarkable aspect of this vast canvas however remains Seurat's technique his revolutionary pointillism.

Mathematician Dr Hannah Fry explores the mystery of maths. It underpins so much of our modern world that it's hard to imagine life without its technological advances, but where exactly does maths come from? Is it invented like a language or is it something discovered and part of the fabric of the universe? It's a question that some of the most eminent mathematical minds have been wrestling with. To investigate this question, Hannah goes head first down the fastest zip wire in the world to learn more about Newton's law of gravity, she paraglides to understand where the theory of maths and its practice application collide, and she travels to infinity and beyond to discover that some infinities are bigger than others.
In this episode, Hannah goes back to the time of the ancient Greeks to find out why they were so fascinated by the connection between beautiful music and maths. The patterns our ancestors found in music are all around us, from the way a sunflower stores its seeds to the number of petals in a flower. Even the shapes of some of the smallest structures in nature, such as viruses, seem to follow the rules of maths. All strong evidence for maths being discovered. But there are those who claim maths is all in our heads and something we invented. To find out if this is true, Hannah has her brain scanned. It turns out there is a place in all our brains where we do maths, but that doesn't prove its invented.
Experiments with infants, who have never had a maths lesson in their lives, suggests we all come hardwired to do maths. Far from being a creation of the human mind, this is evidence for maths being something we discover. Then along comes the invention of zero to help make counting more convenient and the creation of imaginary numbers, and the balance is tilted in the direction of maths being something we invented. The question of whether maths is invented or discovered just got a whole lot more difficult to answer