In this documentary we will be transported into the world of ants. What animal has achieved immortality? What animal is the most warlike? What animal has the greatest supercity on the planet? Not man but ants. They are the real success story. It is only their tiny size and our vanity that allows us to hold onto the myth of our supremacy. Ants rule the planet. They are found in more habitats from far northern Finland to the sweltering tropics. The largest colony known of these insects is in Japan, where 306 million ants, with 1 million queens, in 45,000 colonies spread over 270 hectares. The fiercest warriors on earth are the slave maker ants. Other ants have barracks and sentry posts to protect themselves against surprise attack.

Richard Dawkins explores what science can tell us about death. It's a journey that takes him from Hindu funeral pyres in India to genetics labs in New York.Dawkins brings together the latest neuroscience, evolutionary and genetic theory to examine why we crave life after death, why we evolved to age and how the human genome is something like real immortality - traits inherited from our distant ancestors that we pass on to future generations.

Richard Dawkins examines the growing suspicion the public has for science-based medicine, despite its track record of successes like the germ theory of disease, vaccines, antibiotics and increased lifespan. He notes a fifth of British children are currently not immunised against measles, mumps and rubella, attributing it to fears arising from a highly controversial report linking the vaccine with autism. Dawkins criticizes the growing field of alternative medicine which does not pass the same objective and statistical rigour as scientifically derived treatments using controlled double-blind studies. Without verifiable evidence, alternative therapies must rely on biased anecdotes and word of mouth to perpetuate. Dawkins observes these treatments have fanciful rationales and rituals behind them, with many alternative treatments employing pseudoscientific jargon such as "energy", "vibration" or "quantum theory" to give themselves greater credence to patients.

Could nuclear fusion hold the answers to the energy crisis? It is the process that has forged all matter in the universe. It lights the stars and it is what transformed the lighter atoms that formed in the Big Bang into heavier atoms. In Can We Make a Star on Earth?, Brian Cox peers beyond the glare of our Sun to reveal the hidden forces that provide its power. He discovers how this fusion energy has kept our closest star burning for five billion years. Brian believes humanity must build a star on Earth to ensure survival. Will scientists be able to harness fusion power and achieve abundant, cheap, clean energy?

ln 1942 through an horrific process of trial and error these Nazis created something entirely new in History - killing factories capable of murdering millions. With the increase in killing at Auschwitz and nearby Treblinka, people are showing tremendous courage, like German officer Albert Battel risking his life to save detainees.

Painted over five centuries ago, Filippo Lippi's nativity is like none other: it shows the birth of Christ in a dark, wooded wilderness. There are no shepherds, kings, ox, ass – there is no Joseph. Its beauty inspired Michelangelo, Leonardo da Vinci and Botticelli. But it also conceals a deeply personal story. It was painted for Cosimo de Medici, a wealthy banker who feared that his money was dragging him straight to hell. The artist's life was equally surprising. One of the most celebrated painters of his day, Filippo Lippi was also a Carmelite friar, but he was no stranger to the temptations of the flesh, to which he frequently yielded. Shortly before painting his Adoration, he caused uproar by seducing a twenty year-old nun. His paintings rejoice not only in divine beauty, but in the beauty of women. In later times, the Adoration's history was interwoven with that of rulers and dictators. It became a bargaining chip after Napoleon's allies seized twenty merchant ships. And in the 20th century, it was hidden by the Nazis in a potassium mine, where specialist american officers, known as Monuments Men, stumbled upon it. they were now told to get it ready to be shipped out. In an unprecedented turn of events they refused. This is the only known case in the whole of the Second World War of American officers refusing an order. It was sent to the National Gallery of Art, but in 1949 Lippi's Adoration was returned to Germany.