the story of rock singer "Pink" who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album "The Wall" by Pink Floyd, the film begins in Pink's youth where he is crushed by the love of his mother. Several years later, he is punished by the teachers in school because he is starting to write poems. He slowly begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Directed by Alan Parker

To show what the USA can learn from rest of the world, director Michael Moore playfully visits various nations in Europe and Africa as a one-man "invader" to take their ideas and practices for America. Whether it is Italy with its generous vacation time allotments, France with its gourmet school lunches, German with its industrial policy, Norway and its prison system, Tunisia and its strongly progressive women's policy and Iceland and its strong female presence in government and business among others, Michael Moore discovers there is much that American should emulate

An apocryphal view on the pyramids, starting in awe at the amazing achievement of the Pharaonic architecture and sculpture, most specially at Gizeh, given Cheops's pyramid's size, weight, incredibly precise carving, four pairs of slightly shifted half sides, stunningly precisely measured shapes and symmetry. Then it questions and challenges conventional Egyptology beliefs, which it calls unproven or even impossible to verify, such as the absence of machines, a wharf duration of only 20 years or accidental equinox-orientation. Next it elaborates the theory that other major pyramid technology sites in Precolombian America, Easter Island and China can't coincidentally lie on two lines intersecting at Gizeh, even if not contemporaneous and without known contacts in their ages, and have several improbable things in common, like some of their cultures. Elaborate mathematical theories and measurements indicate the Egyptians must have known some astronomy, pi and the golden number

In less than two years, Al Capone has risen from a humble bookkeeper to second-in-command of Johnny Torrio's criminal empire in Chicago. The empire is worth the modern-day equivalent of $35 million. Capone purchases a home for his family and moves them from New York to Chicago. Torrio and Capone expand their empire from Chicago's South Side to the North Side, which is controlled by Chicago's second largest gang, the Irish. Violence erupts as ruthless Irish gang leader Dean O'Banion protects his territory and bootlegging business from Torrio and Capone.

A look at the very real impact the Back to the Future movies have had on our culture. What was once a little idea that spawned a tightly-focused documentary has grown into something truly amazing over two years of filming. Back in Time is a cinematic monument to the vastness of the trilogy's fandom. In addition to the footage and interviews revolving around the time machine itself, the crew found that simply by delving into the impact of the trilogy an epic journey began to unfold before them. The crew captured countless hours of footage during filming. From Steven Spielberg to Robert Zemeckis and Bob Gale, to the Sheas and Hollers, and from James Tolkan and Lea Thompson to Christopher Lloyd and Michael J. Fox, Back in Time features interview after interview that simply must be seen.

An exploration of active volcanoes in Indonesia, Iceland, North Korea and Ethiopia, Herzog follows volcanologist and co-director Clive Oppenheimer, who hopes to minimize the volcanoes’ destructive impact. What is the Herzog’s quest? To gain an image of our origins and nature as a species. He finds that the volcano—mysterious, violent, and rapturously beautiful—instructs us that, "there is no single one that is not connected to a belief system".