Lucy Worsley continues her journey through Russia in the footsteps of the Romanovs, the most powerful royal dynasty in modern European history. In this episode she examines the extraordinary reign of Catherine the Great, and the traumatic conflict with napoleonic France that provides the setting for the novel War and Peace. At the magnificent palace of Peterhof near St Petersburg, Lucy charts the meteoric rise of Catherine the Great, who seized the Russian throne from her husband Peter III in 1762 and became the most powerful woman in the world. Catherine was a woman of huge passions - for art, for her adopted country (she was German by birth) and for her many lovers.
Catherine expanded her empire through military victories overseas, while at home she encouraged education and introduced smallpox inoculation to Russia. But Catherine struggled to introduce deeper reforms, and the institution of serfdom remained largely unchanged. Lucy explains how this injustice fuelled a violent rebellion. Nevertheless, Catherine left Russia more powerful on the world stage than ever. But all she had achieved looked set to be undone when Napoleon invaded Russia in 1812. Lucy relives the pivotal battle of Borodino, when the Russian army finally confronted the French forces; the traumatic destruction of Moscow; and, under Catherine's grandson Alexander, the eventual victory over the French that provided the Romanov dynasty with its most glorious hour.

Feast your eyes on a reconstruction of the mega-city and its amazing buildings. Alexandria, built in the middle of rancid marshland, had become in less than a century, the greatest city of the Mediterranean. An ideal position at the crossroads of east and west, and one that brought her great riches. Huge, modern, gleaming white and cosmopolitan, like no other in antiquity, it created its own identity.
While the beauty of its planning, its great arteries, its temples and its ports would be equalled only by its openness to the rest of the world. And the monumental achievements of its sovereigns, still shrouded in mystery, we'll never cease to fire our imagination for millennia to come.

We are the generation of human beings that are going to know whether or not we're alone in the universe. This episode explores the search of exoplanets, from ancient Greek philosophers to the discoveries made possible with the Kepler Telescope. Unbelievable new worlds, planets made of diamond, planets of raining glass, worlds in collision, some plunging into stars, and others that just might harbor life.
Thanks to today's planet hunters, our views of the universe and of our place in it are undergoing one of the greatest revolutions in scientific history.

With more board configurations than there are atoms in the observable universe, the ancient Chinese game of 'Go' has long been considered a grand challenge for artificial intelligence. On March 9, 2016, the worlds of Go and AI collided in South Korea for an extraordinary best-of-five-game competition, coined the Google DeepMind Challenge Match. Hundreds of millions of people around the world watched as a legendary Go master took on an unproven AI challenger for the first time in history.
AlphaGo chronicles a journey from the halls of Cambridge, through the backstreets of Bordeaux, past the coding terminals of DeepMind in London, and, ultimately, to the seven-day tournament in Seoul. As the drama unfolds, more questions emerge: What can artificial intelligence reveal about a 3000-year-old game? What can it teach us about human mind?

The 1980s was a time when artists in both the UK and US were delivering powerful social commentary in their songs. Dylan Jones selects some of the finest alternative voices from this era. From The Cure on Top of the Pops at the beginning of the decade to The Stone Roses' debut TV performance in 1989, this episode takes a comprehensive look at the alternative music of an entire era. It also features powerful live performances from Billy Bragg, Tracy Chapman, Bronski Beat and The Selecter. In addition, there are archival gems from Pixies, The Smiths, Suzanne Vega, The Fall, REM and many more.

Someone once observed: 'America is great because she is good; if she ever ceases to be good she will cease to be great.' Today that notion of the essential goodness of America is under attack, replaced by another story in which theft and plunder are seen as the defining features of American history-from the theft of Native American and Mexican lands and the exploitation of African labor to a contemporary foreign policy said to be based on stealing oil and a capitalist system that robs people of their "fair share"