Dr Nigel Spivey shows how The political power of art was discovered by kings and emperors in the ancient world, It was these leaders who first used imagery to manipulate their subjects, And today our modern politicians are exploiting those same visual strategies, This is the story of how those ancient leaders created techniques of visual persuasion so powerful they've still got a hold on us today.

Thought-provoking documentary on war propaganda: how governments manipulate the facts and how most media let them get away with it. WWI, Vietnam War, post-2001 Afghanistan, post-2003 Iraq, Palestine: a historical account of PR, embedded journalism, lies and cover-ups, but also of courageous journalists who disclose the truth.

Putin's new law that forbids 'propaganda of non-traditional sexual relations to minors' hits millions of gay/lesbian youngsters in Russia. Parents and friends of gay kids now are obliged to tell them they are sick, sinful and abnormal. These teens have no forum, find no help in Russia, you won't even find them on the internet: Error 404. For the first time, the bravest of them turn to the camera in the new film of 'Winter Go Away'

North Korea, formerly known as the hermit kingdom, is perhaps the largest source of instability as regards world peace. Its border is one of the most militarized in the world. The lack of impartial information, both inside and coming out of the country, is the perfect setting for a propaganda war, which will be analysed in the film through numerous examples of the surprising way in which information is manipulated, in and about North Korea. Alejandro Cao de Benos, the sole foreigner who works for the People's Republic of Korea Government, and many locals will show us their vision of the reality in North Korea. The other side of the story will be reflected through interviews to South Korean citizens, human rights advocates, diplomats, propaganda experts, etc.

By the time he died in 1931, Thomas Alva Edison was one of the most famous men in the world. The holder of more patents than any other inventor in history, Edison had achieved glory as the genius behind such revolutionary inventions as sound recording, motion pictures, and electric light. Edison's curiosity led him to its cutting edge. With just three months of formal schooling, he took on one seemingly impossible technical challenge after another, and through intuition, persistence, and a unique team approach to innovation, invariably solved it." Driven and intensely competitive, Edison was often neglectful in his private life and could be ruthless in business. Challenged by competition in the industry he'd founded, Edison launched an ugly propaganda campaign against his rivals, and used his credibility as an electrical expert to help ensure that high-voltage electrocution became a form of capital punishment. Edison explores the complex alchemy that accounts for the enduring celebrity of America's most famous inventor, offering new perspectives on the man and his milieu, and illuminating not only the true nature of invention, but its role in turn-of-the-century America's rush into the future.

There is a tendency to deny German culture the equal reverence of Italy or Spain, and this enlightening new series provides a wonderful opportunity to explore a great, yet often neglected, artistic tradition whose influence has been just as profound. Andrew Graham-Dixon concludes his exploration of German art by investigating the dark and difficult times of the 20th century. Dominating the landscape is the figure of Adolf Hitler, failed artist, would-be architect and obsessed with the aesthetics of his 1,000-year Reich". In a series of extraordinary building projects and exhibitions, Hitler waged a propaganda war against every form of modern art as a prelude to unleashing total war on the whole of Europe. After the war the shadow of the Third Reich persisted, Germany remained divided and traumatised. How would artists deal with a past that everybody wanted to forget? Journeying through the work of Otto Dix and George Grosz and the age of the Bauhaus to the post-war painters Georg Baselitz, Hilla Becher and the conceptual artist Joseph Beuys is a long and strange journey, but the signs that art has a place at the heart of the new reunited Germany are clearly visible.