The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.
The film takes viewers on an enchanting journey through the life and legendary career of one of cinema's greatest composers. Directed by John Williams' longtime friend Laurent Bouzereau, it delves deeply into the music that has defined iconic film franchises like “Star Wars”, “Jurassic Park”, and “Harry Potter”. Featuring interviews with esteemed artists and filmmakers profoundly influenced by Williams' timeless compositions, the film explores his extraordinary ability to bring emotion, depth, and grandeur to the screen through his symphonic genius. Archival footage and behind-the-scenes moments illustrate how his unforgettable scores became integral to the movies, revealing just how vital his contributions have been to modern cinema. This intimate tribute captures Williams’ journey from jazz pianist to cultural icon, showcasing the groundbreaking impact of his classical compositions in Hollywood and beyond. From his collaborative masterpieces with Steven Spielberg and George Lucas to his unique approach of composing by hand, "Music By John Williams" highlights the relentless passion and meticulous craft that have defined his career. Personal stories from colleagues, friends, and family, along with moments of Williams conducting before adoring fans, paint a vivid portrait of a man who has shaped our cinematic experiences for over half a century. For anyone captivated by the power of music in film, this documentary is an inspiring and nostalgic celebration of an unparalleled legacy.
When Norwegian gamer Mats Steen died at age 25, his parents mourned what they thought was an isolated life. It was only once they had access to his blog that they discovered the deep friendships he created virtually before passing away from a degenerative muscular disease. They were unaware that Mats had long been leading a vibrant digital life that had left a profound impact on a community of fellow gamers. The film takes us on a journey through the breadth of Mats Steen's adventurous online life, introducing us to Ibelin, his charismatic World of Warcraft persona. Through reconstructed animated moments from Mats' gameplay, narrated entries from his blog and interviews with people who knew him as Ibelin, a picture of a remarkable young man emerges, one that underscores how community and soulful relationships can transcend the boundaries of the physical world.
We offer the complete second series of “Ancient Apocalypse” in a single video. In this series, journalist Graham Hancock travels to the Americas to search for evidence supporting his hypothesis: that an advanced civilization was lost to history during the cataclysms that marked the apocalyptic end of the last Ice Age, between 12,800 and 11,600 years ago. Each episode investigates new discoveries being made in the American hemisphere, which until recently has been largely under-explored by archaeologists interested in humanity’s origins. Graham reveals new findings and speculates about how those findings might suggest the existence of a globe-traveling advanced civilization that left traces of itself in ancient cultures. In episode one, evidence from New Mexico’s White Sands desert confirms the presence of people in the Americas long before it was possible to migrate across the Bering Straits that formed a land bridge during the lowered sea-levels of the Ice Age. The series takes us to multiple locations in the US, Mexico, Brazil, Peru and Easter Island to investigate when people first arrived in the “New World” and how they made the journey. The findings give Graham reason to question the accepted timeline of human history. During his journey, Graham interviews highly regarded archaeologists and historians as well as indigenous elders, who share their unique knowledge of the sites and their oral histories. Hollywood actor, Keanu Reeves, also joins Graham across the series, discussing, among other things, his insights into storytelling as an act of preserving culture. Experts in the series include American archaeologist Dr. Chris Davis, Brazilian palaeontologist Dr. Alceu Ranzi, and archaeo-botanist Dr. Sonia Cardinali of Rapa Nui, Easter Island, among others.
Jessie Buckley narrates the extraordinary story of the first transatlantic communications cable. In 16 August 1858, a short message is telegraphed from County Kerry to Newfoundland, 3,000km away: ‘Europe and America are united by telegraph. Glory to God in the highest, on earth peace, good will towards men.’ The Morse code message is conducted along the new underwater transatlantic telegraph cable laid across the bed of the Atlantic Ocean. Sending the same message by ship would have taken at least ten days, but the transmission takes just hours and heralds the dawn of the modern communications age. The quest is driven by visionaries and pioneers. Among them are Cyrus Field, a wealthy businessman who, despite his immense success, ends his life in poverty; Samuel Morse, inventor of the telegraph and Morse code; Isambard Kingdom Brunel, the British engineer who pushes boundaries and budgets; and Belfast physicist Lord Kelvin, who calculates how to achieve what had hitherto been deemed impossible. Together, their ingenuity and relentless pursuit helps realise one of the great scientific accomplishments of their age for which Valentia, on Ireland’s remote western coast, is ground zero.
In July 2022, the James Webb Space Telescope (JWST) unveiled its first breathtaking images, offering an unprecedented level of detail of stars, galaxies, and planets. But for scientists, these images were just the start of an exciting journey to uncover the universe's secrets. This documentary follows Chris Lintott as he embarks on a road trip to meet the researchers who have been eagerly analyzing JWST's data, revealing groundbreaking discoveries about exoplanet atmospheres, the outer planets of our solar system, and the earliest galaxies in the cosmos. To mark the second anniversary of JWST's first images, Chris, along with presenters Maggie Aderin-Pocock and George Dransfield, revisits these scientists to explore the telescope's successes and challenges. From new jet streams on Jupiter to quirks on Uranus and Neptune, and insights into the ancient universe, the documentary showcases the remarkable findings made possible by JWST. Additionally, resident astronomer Pete Lawrence guides viewers on how to observe the night sky's wonders, aligning their stargazing with the telescope's targets. This captivating journey into space science promises to inspire and intrigue.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.