The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.
In 1996, the Menendez brothers' trial for the brutal murder of their parents shocked the nation and left a lasting mark on America's legal and cultural landscape. Now, decades later, this gripping documentary revisits the case that fascinated millions, providing unprecedented access to those closest to the brothers and the courtroom drama. Through exclusive interviews, newly uncovered details, and firsthand accounts, it sheds light on the motivations, emotions, and complex family dynamics that led to the shocking crime. Lyle and Erik Menendez, serving life sentences in prison, break their silence to offer their perspective on the harrowing events that forever changed their lives. This documentary explores not only the chilling crime and sensational media coverage but also the brothers’ own reflections and the ongoing debate about justice, privilege, and the true nature of the tragedy. Prepare to witness a story of betrayal, power, and a search for answers that still haunts America to this day.
Witness the secret powers of extraordinary animals, experience the world as they do and see the SUPER/NATURAL side of nature as never before. Executive produced by James Cameron and narrated by Benedict Cumberbatch, this series uses the scientific innovations and leading-edge filmmaking technology to reveal the secret powers and super-senses of the world’s extraordinary animals. See flowers in bee-vision to eavesdropping on conversations between elephant seals to soaring the length of a football field with glow-in-the-dark squirrels. They say in nature that only the strongest survive. But when cooperation and communication bring animals and plants together and superpowers combine even the most vulnerable can become unstoppable. If you think you know nature, think again.
In this revealing documentary, Giancarlo Granda, former pool attendant at the Fontainebleau Hotel, shares the intimate details of his 7-year relationship with a charming older woman, Becki Falwell, and her husband, the Evangelical Trump stalwart Jerry Falwell Jr. Directed by Billy Corben, the film outlines Granda's entanglement with the Falwell's seemingly perfect lives and the overarching influence this affair had on a presidential election. The life of Jerry Falwell — the late Moral Majority televangelist who for decades helped catalyze the rightward shift of American evangelicals before his death in 2007 — is a quintessentially American story. But it’s in the next generation that the Falwell narrative becomes at once soap opera and morality tale. The film covers the graceless fall of Jerry Falwell Jr., who after the death of his father was placed in the presidency of the family’s conservative organ Liberty University. There, he seemed to remain painfully in thrall to his appetites. We hear testimony about his alleged tendency to drink on the job and discomfiting, slurry interviews between him and sympathetic media — but most crucially, we receive the testimony of Giancarlo Granda. Granda was a pool attendant at a Miami hotel when he met Falwell and his wife, Becki, in 2012. Today, he alleges that he was persuaded to have sex with Becki while Falwell watched, and that the pair engaged in an ongoing campaign of communication with him that could be described as coercive. His energies were consumed with managing their tempers and occasionally threatening behavior, and he blames the swirl of scandal around them for derailing his professional future. Plainspoken and only occasionally visibly emotional, Granda is his own best advocate as he describes a couple who, he says, craved his body and were willing to discard the rest of him.
In the third episode of the series, the intricate social dynamics of the Ngogo chimpanzee community come to a head. Decades of growth and dominance have made this the largest known chimp group, but internal rivalries lead to a significant schism, with a faction of males breaking away to form their own group, the Westerners. Once comrades, these chimps now face each other as deadly enemies. The tension escalates with the mysterious death of Pork Pie, leaving the central chimps in a state of heightened alert and mourning, while leadership struggles and territorial disputes intensify within both factions. As the Westerners grow bolder, driven by the likes of Richmond and the ambitious Rollins, they encroach further into central territory, setting the stage for an inevitable clash. Amidst the power plays, we witness the personal struggles of individuals like Jackson, the embattled alpha, and Bartoli, who must protect her son Herzog from the looming threat. This episode masterfully captures the raw emotion and brutal reality of chimpanzee warfare, leaving viewers on edge as alliances are tested and the fight for dominance reaches a fever pitch.
The last installment of the series features a revealing first-person account that delves into the complexities of Gotti's mentorship and the stark realities of gang life. From a determined youth facing rejection from his father to his bold declaration to work for Gotti, witness the tumultuous ascent of Sammy ‘The Bull’ Gravano within the criminal underworld. The narrative captures a pivotal confrontation, where Gotti chillingly outlines the dark path ahead, juxtaposed against the awe-inspiring backdrop of the Justice Department in Washington D.C., a symbol of the relentless pursuit that future gangsters will inevitably face. This episode doesn’t just recount events; it places you at the heart of an ongoing battle against organized crime, providing an intimate look at Gotti’s life, from his rise to power to his ultimate indictment and the intense legal battles that followed. Dive into a gripping exploration of loyalty, power, and the consequences of a life in the mafia.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.