This episode examines those birds whose sustenance comes from flesh and their methods of hunting. In New Zealand, Sir Attenborough observes Keas, parrots that do not eat meat exclusively, raiding a shearwater's burrow for a chick. However, it is the dedicated birds of prey, such as owls, buzzards, eagles, falcons and vultures, to which much of the programme is devoted. In order to spot and pursue their victims, senses of sight and hearing are very acute. Vultures are the exception, in that they eat what others have left, and once a carcass is found, so many birds descend on it that the carrion seems submerged beneath them. The Turkey Vulture is an anomaly within its group, as it also has a keen sense of smell. Eagles defend their territory vigorously, and a pair of sea eagles are shown engaging in an aerial battle. The Galápagos Hawk hunts Marine Iguanas, but can only do so when its quarry is vulnerable, during the breeding season. The African Harrier Hawk has adapted to extracting burrowing animals by virtue of an especially long, double-jointed pair of legs. By contrast, a shrike is not equipped with the requisite sharp beak and talons needed for butchery, and so dismembers its kill by impaling it on the thorns of acacias. The Lammergeier eats bones, and will drop them on to rocks from a great height in order to break them down to a digestible size. Also featured are the Eurasian Sparrowhawk, Goshawk and Peregrine Falcon.

The open arenas of grassland and desert make up half of all land on our planet. In these exposed habitats, predators like cheetahs, bald eagles and lions can usually see their prey. But it works both ways: their prey can see them too. With nothing but open vistas, the element of surprise is hard-won, and predators must make their own opportunities.

Discover the story behind the scenes of the band's fifth studio album Hotel California, one of the best-selling albums of all time. Henley said about this work: 'They are the same themes that run through all of our work: loss of innocence, the cost of naiveté, the perils of fame, of excess; exploration of the dark underbelly of the American dream, idealism realized and idealism thwarted, illusion versus reality, the difficulties of balancing loving relationships and work, trying to square the conflicting relationship between business and art; the corruption in politics, the fading away of the Sixties dream of peace, love and understanding.

Fights within Eagles were common long before Hotel California. They started as four equal partners. Gradually the power shifted toward Henley and Frey, which Meisner and Leadon resented. Leadon left first because the band progressed from country to rock. He also wanted to live a healthy life in a band that lived extremely unhealthy. Even though they made many wonderful songs, things were far from smooth in the studio.

Last part of the documentary begins with the period following the breakup, with brief accounts of the careers of individual members of the band and by the reunion of the band in 1994, followed by the 1990s and 21st century phases of the Eagles. It documents their successful tours, the dispute with Don Felder and the period after his dismissal. It concludes with the band members looking back assessing their actions and career, with contributions from other people who knew them.

A bird's-eye view of some of the world's greatest natural spectacles. Amazing sights from five continents are revealed in a whole new light. Using cutting edge new filming techniques to show everything in exquisite detail, viewers have a uniquely privileged perspective. The first episode takes flight across North America, as a flock of millions of snow geese discover what it is like to be on the hit list of America's national bird: the bald eagle. In California, pelicans reveal devil rays that perform astonishing somersaults and find bizarre grunion fish that wriggle ashore to spawn. In Alaska, bald eagles swoop among brown bears fishing for salmon. And on the Great Plains, cowbirds duck and dive under the feet of fighting bison.