What if we could explore the vastness of Space? Science fiction has always fed upon our need to explore – to wonder what is out there. Space journeys from Jules Verne’s earliest ideas about attempts to leave our planet, to the Star Wars far away galaxy through to Nichelle Nichols revealing how her groundbreaking role as Lt. Uhura in Star Trek led to her participation in the recruitment of NASA’s astronauts. It explores the deep sea inspiration for Avatar, finds out why Ursula K Le Guin wrote The Left Hand of Darkness and discovers how Stanley Kubrick was able to make 2001: A Space Odyssey seem so believable. In addition, the program looks at the way Dune and The Mars Trilogy embraced the challenge of world building and discusses the appeal of the beaten up ‘dirty space’ of Dark Star and Firefly. From the horrifying scenes of Alien, to the epic spectacle of Star Wars, this is a journey to the stars and the alien encounters that await us there.

What if we could travel not just through space, but through time itself? If you could travel through time, would you change the past or the future? What if you found it couldn’t be changed? What price does the time traveller -- and the people they are closest to -- pay? This is a journey from H. G. Wells' The Time Machine through ideas like The Grandfather Paradox and The Butterfly Effect to the professional time traveller that is the ever popular Doctor Who. Steven Moffat, David Tennant, Karen Gillan, and Neil Gaiman offer a unique perspective on the Doctor. Edward James Olmos reveals the hidden meaning of the language he created for the vision of the future that is Blade Runner. Bob Gale and Christopher Lloyd take us behind the scenes of Back to the Future, while Ed Solomon describes the joy of solving a time travel conundrum for Bill & Ted’s Excellent Adventure. But what would be the physical and emotional cost to the time traveller? Audrey Niffenegger explains what inspired her novel The Time Traveller’s Wife. And what if someone from the future tried to travel back in time to warn us? Would we believe them? From the apocalyptic tones of 12 Monkeys to the drama of Quantum Leap and the comedy of Groundhog Day, time travel is a subject that has been irresistible to the creators of every type of science fiction.

The deep is perhaps the most hostile environment on earth, at least to us - a world of crushing pressure, brutal cold and utter darkness. We have barely begun to explore it, and yet it is the largest living space on the planet. Scientists already think that there is more life in the deep than anywhere else on earth. This episode takes us on an epic journey into the unknown, a realm that feels almost like science fiction. We discover alien worlds, bizarre creatures and extraordinary new behaviours never seen before. We encounter savage hordes of Humboldt squid hunting lanternfish in the depths and coral gardens flourishing in absolute darkness, with more species of coral to be found in the deep than on shallow tropical reefs. Narrated by David Attenborough.

Brian Cox looks at our attempts to answer one of the most profound questions we can ask – are we alone in the universe? With scientists sending space probes to the furthest reaches of our solar system and beyond, the scientific search for alien life has begun. Inspired by a childhood love of science fiction, Brian still hopes to hear from ET. In this film, he explains why this search deserves to be taken seriously, and he explores the chances of it happening.

Humans have long gazed up at the night sky, wondering whether other lifeforms and intelligences could be thriving on worlds far beyond our own. But over the last few decades, ultra-sensitive telescopes and dogged detective work have transformed alien planet-hunting from science fiction into hard fact. We expected to find worlds similar to the planets in our own solar system, but we instead discovered a riot of exotic worlds. Vivid animation based on data from the most successful planet hunter of them all, the Kepler space telescope, brings these worlds into view: puffy planets with the density of polystyrene, unstable worlds orbiting two suns and 1,000-degree, broiling gas giants with skies whipped into titanic winds.
But perhaps the most startling discovery was the number of worlds that may be contenders for a second Earth, at the right distance from their sun to have that ingredient so crucial for life as we know it, liquid water. Amongst them, we witness the most tantalizing discovery of all: a so-called ‘super-Earth’, situated in the Goldilocks zone - the area just the right distance from a sun to potentially support life - and with the faint signal of water in its atmosphere.

This American science fiction horror anthology film was produced by Steven Spielberg and John Landis. The film's production achieved notoriety when the actor Vic Morrow and two illegally-hired child actors were killed in a stunt helicopter crash during filming of Landis' segment. The Movie leaves those involved in the making of the film cursed by the memory of the incident they witnessed.