The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.

The Codex Gigas, or Devil's Bible, is the world's largest and most enigmatic medieval manuscript, said to be crafted from 160 donkey skins and weighing a staggering 165 pounds. Its chilling full-page portrait of the Devil, believed to be the result of a monk's desperate pact with dark forces, is just the beginning of its mysteries. Written in the Kingdom of Bohemia, this legendary text blends biblical scripture with forbidden demonic spells, making it both sacred and cursed.
Filled with mystical medical formulas and cryptic incantations, the Codex Gigas holds mysteries that have fascinated historians for centuries. The haunting contrast between a Heavenly City and the devil's image adds to its mystique. This documentary dives deep into one of history's most mysterious artifacts, uncovering secrets that have captivated the world for generations.

90% of the goods we consume in the West are manufactured in far-off lands and brought to us by ship. The cargo shipping industry holds the key to our economy, our environment and the very model of our civilization; without it, it would be impossible to fulfill the ever-increasing demands of our societies. Yet the functioning and regulations of this business remain largely obscure to many, and its hidden costs affect us all. Due to their size, freight ships no longer fit in traditional city harbors; they have moved out of the public's eye, behind barriers and checkpoints.
The film answers questions such as: Who pulls the strings in this multi-billion dollar business? To what extent does the industry control our policymakers? How does it affect the environment above and below the water-line? And what's life like for modern seafarers? Taking us on a journey overseas and oceans, we reveal in an audacious investigation the many faces of world-wide freight shipping and sheds light on the consequences of an all-but-visible industry.

A team of Ukrainian journalists from The Associated Press trapped in the besieged city of Mariupol struggle to continue their work documenting atrocities of the Russian invasion. As the only international reporters who remain in the city, they capture what later become defining images of the war: dying children, mass graves, the bombing of a maternity hospital, and more.
Drawing on director Mstyslav Chernov's daily news dispatches and personal footage of his own country at war, the film is a vivid, harrowing account of civilians caught in the siege, as well as a window into what it's like to report from a conflict zone, and the impact of such journalism around the globe.

The documentary, an own production, immerses the viewer in a journey that blends science and philosophy, questioning the nature of time and unveiling a 4-dimensional universe, where space and time are integrated. We are invited to consider a universe in which past, present, and future coexist, suggesting that our linear perception of time might be more of a mental construction than a physical reality. The narrative progresses by exploring how quantum particles exist in states of probability until they are observed, at which point they acquire defined properties. Then, the provocative hypothesis is presented that observation also fixes the temporal dimension of the particles.
The sensation of the flow of time and the distinction between past, present, and future are introduced as mental constructions, arising from the human brain's limited capacity to process the complexity of reality. It is then proposed that the mind, by observing itself, fixes itself in the temporal dimension, thus creating the illusion of the present. Finally, the impact of these theories on free will is discussed.
This documentary challenges viewers to look beyond their everyday perceptions and consider the possibility that reality is much more complex and fascinating than our immediate experiences suggest. It is an invitation to explore the limits of science, philosophy, and the mind itself in search of answers to some of the deepest questions of existence.
More information on https://www.javier-serrano.blog/Ciencia/representacion_tridimensional_del_universo.php

In this captivating film hosted by Anderson Cooper, viewers are presented with an insightful exploration of artificial intelligence (AI), its profound implications, and the ethical dilemmas it poses. The documentary begins with a startling revelation: what appeared to be Anderson Cooper was actually an AI-generated version, raising questions about the authenticity of what we see and hear. The narrative then shifts to broader concerns about AI replacing human roles across industries and its capability to outperform humans in tasks ranging from driving to creating art. Viewers are taken on a journey through various facets of AI, from the streets of San Francisco, where robot taxis hint at a future dominated by AI, to the insights of Yoshua Bengio, a pioneer in deep learning.
The film also addresses the darker side of AI, including the potential for misuse and the challenges in distinguishing between reality and AI-generated content. The climax of the documentary presents a critical question: Can AI save humanity, or does it pose a threat to our existence? This thought-provoking exploration of AI's impact on our world is a must-watch for anyone curious about technology and its intersection with human life.