We are familiar with images of the hearings at the Nuremberg trials. But to this day, no one has taken us into the cells and minds of the accused. Leon Goldensohn, a 34-year-old American Jewish psychiatrist, spent six months visiting the 4 main Nazi war criminals.
Based on these unique and recently uncovered documents and reconstitutions of the main events, this film discloses for the first time the personal thoughts of the Nazis: Hermann Goering, Rudolf Hess, Hans Franck and Julius Streicher. These interviews raise serious questions concerning the psychic mechanisms and mysteries that set off acts of barbarity.

Neuroscientist David Eagleman explores the human brain in an epic series that reveals the ultimate story of us, why we feel and think the things we do. This ambitious project blends science with innovative visual effects and compelling personal stories, and addresses some big questions. By understanding the human brain, we can come close to understanding humanity". In this episode, Dr. Eagleman takes viewers on an extraordinary journey that explores how the brain, locked in silence and darkness without direct access to the world, conjures up the rich and beautiful world we all take for granted.

A wholly innovative, original, and vital history lesson, with pioneering animation, Waltz With Bashir delivers its message about the Middle East in a mesmerizing fashion. Director Ari Folman's animated quasi-documentary follows the filmmaker's emotional attempt to decipher the horrors that unfolded one night in September of 1982, when Christian militia members massacred more than 3,000 Palestinian refugees in the heart of Beirut as Israeli soldiers surrounded the area". Folman was one of those soldiers, but nearly 20 years after the fact, his memories of that night remain particularly hazy. After hearing an old friend recall a vivid nightmare in which he is pursued by 26 ferocious dogs, Folman and his friend conclude that the dream must somehow relate to that fateful mission during the first Lebanon War. When Folman realizes that his recollections regarding that period in his life seem to have somehow been wiped clean, he travels the world to interview old friends and fellow soldiers from the war. Later, as Folman's memory begins to emerge in a series of surreal images, he begins to uncover a truth about himself that will haunt him for the rest of his days.

This episode examines those birds whose sustenance comes from flesh and their methods of hunting. In New Zealand, Sir Attenborough observes Keas, parrots that do not eat meat exclusively, raiding a shearwater's burrow for a chick. However, it is the dedicated birds of prey, such as owls, buzzards, eagles, falcons and vultures, to which much of the programme is devoted. In order to spot and pursue their victims, senses of sight and hearing are very acute. Vultures are the exception, in that they eat what others have left, and once a carcass is found, so many birds descend on it that the carrion seems submerged beneath them. The Turkey Vulture is an anomaly within its group, as it also has a keen sense of smell. Eagles defend their territory vigorously, and a pair of sea eagles are shown engaging in an aerial battle. The Galápagos Hawk hunts Marine Iguanas, but can only do so when its quarry is vulnerable, during the breeding season. The African Harrier Hawk has adapted to extracting burrowing animals by virtue of an especially long, double-jointed pair of legs. By contrast, a shrike is not equipped with the requisite sharp beak and talons needed for butchery, and so dismembers its kill by impaling it on the thorns of acacias. The Lammergeier eats bones, and will drop them on to rocks from a great height in order to break them down to a digestible size. Also featured are the Eurasian Sparrowhawk, Goshawk and Peregrine Falcon.

The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.