The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.
Narrated by Morgan Freeman, this ambitious documentary series unfolds the extraordinary story of the universe across millions of years, weaving together its deep connection to life on Earth. In the first part of the series, we offer the first three episodes, beginning with an intense exploration of the sun as a life-giving force, following one cheetah’s hunt for survival across the vast plains of the Serengeti. From there, we witness the steady pulse of the universe through the eyes of a chimpanzee, tracing life’s path from birth to a final moment of calm. Finally, we immerse ourselves in the challenging year of an Alaskan brown bear as it endures the harsh winter, emerging into the warmth and renewal of summer. Each scene offers a breathtaking glimpse into the delicate and awe-inspiring rhythms of life, nature, and the cosmos.
The Codex Gigas, or Devil's Bible, is the world's largest and most enigmatic medieval manuscript, said to be crafted from 160 donkey skins and weighing a staggering 165 pounds. Its chilling full-page portrait of the Devil, believed to be the result of a monk's desperate pact with dark forces, is just the beginning of its mysteries. Written in the Kingdom of Bohemia, this legendary text blends biblical scripture with forbidden demonic spells, making it both sacred and cursed. Filled with mystical medical formulas and cryptic incantations, the Codex Gigas holds mysteries that have fascinated historians for centuries. The haunting contrast between a Heavenly City and the devil's image adds to its mystique. This documentary dives deep into one of history's most mysterious artifacts, uncovering secrets that have captivated the world for generations.
Cullen Hoback dives into one of the most enduring and high-stakes mysteries in technology and finance: the origins of Bitcoin and the identity of its anonymous creator, Satoshi Nakamoto. More than a decade after Satoshi's disappearance, Bitcoin now threatens to disrupt the global financial order, forcing nations to reconsider the very nature of money as Satoshi potentially stands to become the richest person on earth. Known for uncovering clandestine subcultures and movements through digital forensics, Hoback immerses himself with key players, uncovers never-before-seen clues, and humorously unravels Bitcoin's chaotic origins and meteoric rise. The documentary offers a thrilling, globe-spanning investigation into the intentions of Bitcoin's enigmatic inventor, as Hoback encounters those who could be Satoshi, seeking to reveal who holds the power -- and what they might do with it if Bitcoin were woven into our daily lives.
The saga of a handful of conquerors who built an empire in Central America and invented the methods of one of the very first multinationals. In 19th century Central America, a few entrepreneurial cowboys built an empire that enslaved populations and corrupted governments for over 100 years. The United Fruit Company thrived on unregulated capitalism; this film tells its story and that of its pioneers who feared neither God nor Man, and managed to get away with murder. Until the 1970s, that multinational set up a monopoly by combining violence, repression, corruption, environmental destruction and a formidable marketing machine. It turned an unknown fruit into an instrument of fortune and domination, and created a business model still largely used by today’s tech giants. Using a rich trove of archival footage and documents, including letters to and from lobbyists, telegrams, vintage ads and movie clips, and gorgeous, hand-tinted stills, 'When Banana Ruled' is a story of intrigue that touches on economics, international politics, the history of business and reveals how an array of forces conquered the world through a simple fruit.
The story of how Instagram became the dominant force it is today, told by former staff and insiders and through powerful testimony from users who have been negatively impacted. An eye-opening documentary delving into the shadows of social media harm. More than half of the world now uses social media, and as our global usage increases and 87% of 12-15 year olds have an account, concerns continue to be raised about how we can stay safe online, and the role social media companies play in that. The film explores how Instagram affects its users and the role big tech companies play in exacerbating issues around body image and self-harm for younger users.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.